Lively existentialist critique of Shakespeare's Hamlet, full of good points and well able to hold its own against more established views. In brief: The world of Hamlet is a world of role-playing. But Hamlet wants to be more than the sum of his roles. That is his tragedy. "It is one thing to have an intimate sense of who we believe ourselves to be, but are we really who we wish to think we are?" (3,320 words)
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